Thursday, December 18, 2014

Thinking harshly on carols

I discovered last Wednesday that music criticism is a lot easier when I’m tired and angry; or at least from my viewpoint, in that I don’t know a lot about music in the first place.

The other night, taking advantage of the MWR WIFI after a very long day, I pulled up Pandora on my laptop and connected to my Classical Christmas station.

My tastes in Christmas music have grown specific over the years. I’ve gone from listening to everything; to blowing off Rudolf and his ilk and listening to the “mature stuff;” to now listening only to the religious stuff.

I have several reasons. For one, I grew up in church choirs, and the big sacred event spectacular every year was the Christmas Eve service.

More than that, the secular Christmas music out there has been done to death by the commercial need to produce non-offensive music by non-offensive pop artists year after year after year.

All Christmas “carols” from 1970 on fall in three categories: “I want Christmas Luvin’ for Me*”, “Isn’t Christmas Totally Awesome in a Very Non-Specific Way that Differs for Everybody, Regardless of Belief, Unless this Happens to Offend You?**” and “You Bastards***.” And none of it does anything for me.

There’s also the Christmas pop music from the 50s and 60s, which was probably enjoyable for the times when it was produced, that really doesn’t make sense to sing today. This hit me last year, when the radio station was playing another version of “Christmas Eve in My Home Town” by some artist I vaguely knew. The song made sense in the 50s, when hometowns were generally not suburbs and people generally went shopping near the “square.” This has not been the case in America -- and the song is distinctly American -- since the 70s.

So, I was listening to classical stuff, with choirs and orchestras. Pandora started with the Alleluia Chorus, and followed it up with the Alleluia Chorus, and then turned its attention to the Alleluia Chorus. (Good Lord their algorithm blows sometimes.) After I few more bits, and repeats, I finally YouTubed the song that had been in my head since Dec. 1 – “Bring a Torch Jeanette Isabelle.” And here’s where my bad mood paid off with a very small bit of insight.

YouTube pulled up about 500 versions of the song, but at the top of the list were versions by Manshiem Steamroller and the Mormon Tabernacle Choir. The insight: It’s possible to ruin a classic piece by accident, solely by arrangement. “Bring a Torch” is a subtle piece that needs a small group of singers and precise, soft instrumentation.

The Tabernacle Choir decided to tackle it with about 500 female voices and a thrumming instrumental version, and added a parade of about 200 “Jeanette Isabelle’s, all awkwardly carrying a torch. This was a sledgehammer opening the lock on a music box. I became more angry as I listened, the music getting louder and more frenzied, as if the women in the choir were part of mob, urging on the 200 “Jeanette Isabelles” to go take care of the “Jeanette Isabelle” that drew the black stone this year.


Finally, I gave up and clicked on the Manheim Steamroller version. I’m familiar with the piece, as the album was cycled repeatedly in my house growing up.


And it hit a sweet spot. The arrangement is quiet, slow. I wanted voices, but the different instruments playing different verses caught the point of a song -- A remembrance of a small but passionate seasonal celebration in a peaceful town.

That was enough for the time being, and I went home for sleep. It hit me later that the sweet spot is getting smaller each year.

*“All I want for Christmas is You.” The song uses the season of good will towards men and peace on earth as a launching pad for one girl to go on and on about her case of the hots. It was a decent piece of music the first 15 years I heard it. “Last Christmas” is a far inferior piece, but I have to admit it I like it more, simply because it reminds me of the tragedy that is George Michael’s life, which makes me laugh.

** “Simply Having a Wonderful Christmastime.” A bland piece with digital music effects that don’t stand the test of time, even though it’s played four or eight times an hour on your local X-mas station.


*** “Do They Know It’s Christmastime” or “War is Over.” One is ignorant as well as preachy, the other has Yoko singing.  

Saturday, June 01, 2013

Quick look at documentary: "That Guy Who Was In That Thing"

The easiest documentary to make is one involving interesting people telling interesting stories.

(I'm guessing I'm right. It's not like spending a year following antarctic penguins around has "piece of cake" written all over it.)

The easy ones, though, can also lead to a good time. Hence, "That Guy Who Was In That Thing" -- essentially 10 dudes who play the role of non-starring "guest star"or supporting supporting character, talking about their careers.

Most of what they talk about is not surprising. The money stinks, the job market's a bit tight, and all of them, even the ugly ones, dream about making it big.

You've already figured that out. But it's in the details -- one guy gave up a Rhodes scholarship, another couldn't afford a car 10 years into his career, everyone eventually plays on Star Trek -- that an entertaining and human story emerges. These characters are all sympathetic, these are the little people trying to make their way in a harsh environment, and there's no dishing on the bigger stars, which would have cheapened the whole thing.

"That guy" is true to the name. There are no actress counterparts in this film. I would have liked to get their take, but I saw the reason why -- actresses have a whole different set of challenges that could have turned things very dark very fast. You can't have one actress tell the story about being harassed by five bosses in one day, and then switch back to the guy complaining about how he had a sneezing fit and blew off his prosthetic Klingon forehead in the middle of a shot. Too jarring.

Available streaming on Netflix.

Thursday, April 04, 2013

Reveling in computer-generated love

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Is it pathetic that I read most of them? Is it worse that it made me feel all flattered?

Yes, yes it is.

Sunday, June 24, 2012

Saturday, May 05, 2012

You can dance or else

Interesting week. I took a group of soldiers to an elementary school in a sponsorship type deal. We were helping with the school's sporting event day, which was as fun as it sounds, especially in comparison to the average workday.

What struck me most about the kids today: The synchronized dancing. At certain points certain songs would play over the loudspeakers, and EVERYONE would stop what they were doing and start dancing synchronously -- including the boys. It struck me as weird. I think the prevailing personality youth culture follows is now "DJ."

I thought about my boy getting into this in a mere matter of months.

Shuddered.

Thursday, April 05, 2012

Mobile shot

Testing. First post from phone.

And otherwise sitting up. Made the mistake of drinking coffee late after three days of abstinence. I'm wondering if the idea I have for a sci-fi story is decent or if it's just the vibes from the caffeine buzz.

Friday, March 23, 2012

I'm glad I missed the bandwagon on ...

Zombies. 
First off, it's too implausible. A really malignant disease or toxin wouldn't waste it's time coming up with the ridiculous amounts of energy required to animate dead flesh. If it had that kind of potential, it would just make live people dead, not the other way around. And what's the point of a disease that brings the dead back to life, just so they can then make more people dead? What do they do when they finish? Just stumble around bumping into each other and groaning non-effectively until they crumble into dust or blow up a gas station? Secondly, I realize that zombies are really about a story element, and the creepy effect of seeing dead people slithering around hits a lot of people on the subconscious fun button, but does nothing for me. It's just an emotional blank screen, sorry.

Any of several thousand apps now available on Facebook.
And they all want to post junk using my name. Really. Who the hell would accept that agreement in first place? I mean, besides 75 of my "friends" who really need to start re-thinking boundaries.

Pinterest.
See above, only I don't know what it means. It seems kind of craftish or something.

Mad Men. 
After one season, the only point I could see being made was that we are so much more awesome than those people from the past, dude. I never went back for season 2.


Food snobbery in general, coffee snobbery in particular.
A man on NPR the other day was introduced as the guy who "Writes about coffee for the New York Times."


The Girl With The Dragon Tattoo
I realize it exists and is probably really evil, but I have a hard time believing more people didn't laugh when they heard the phrase "Scandinavian mafia."

The Hunger Games
I realize it exists and is probably really evil, but teenagers dying for the entertainment value sounds like a serious version of "Heathers" -- and I thought "Heathers" blew.