A new post

I haven't been writing much lately for a lot of reasons. Mainly it has to do with me doing the once-a-decade-what-am-I-doing-with-my-life survey and trying to come up with one or two answers.

Hence, I've cocooned myself off so that I could focus on a couple of things. Soon I'll emerge, again, as the most kick-ass butterfly ever.

There's a lot of stuff going on that I've thought about posting on, and I'm doing a disservice to myself by not sitting me butt down and pounding it out. I'll get back to it soon.

Meanwhile, here's something moderately interesting from the Wall Street Journal -- a critique of a book that examines the writer's quest for status:

For scholarly authors who want to flaunt their erudition and thereby make a status claim, Mr. Zaid offers Noel Coward's deflating remark: "Having to read a footnote resembles having to go downstairs to answer the door while in the midst of making love." And Mr. Zaid has a fine eye for authors who value media attention more than the work that inspired it: "What matters isn't the poem," he observes, "but to appear on television as a poet."

Mr. Zaid's goal is to capture the variety of anxieties that beset literary fame-seekers, and he does so with a mocking cleverness. A serious theme, though, runs through his book – that with the possible exception of a few agonized painters and musicians, no one can quite touch the exquisite torment of the literary artist as he faces the hazards of fate. And yet reading Mr. Zaid's account, one can't help noticing a resemblance to another social figure: the businessman.